Fitness instructor carves his girlfriend’s name into the Colosseum.
Watson and the Shark, by John Singleton Copley, 1778. National Gallery of Art, Washington DC.
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Miscellany
In 1864, responding to his friend Victor Hugo’s invitation to visit Guernsey, where the writer was living in exile, the French painter Gustave Courbet wrote, “In your sympathetic retreat I will contemplate the spectacle of your sea. The viewpoints of our mountains also offer us the limitless spectacle of immensity. The unfillable void has a calming effect. I confess, poet, I love terra firma and the orchestration of the countless herds that inhabit our mountains. The sea! The sea with its charms saddens me. In its joyful moods, it makes me think of a laughing tiger; in its sad moods, it recalls the crocodile’s tears and, in its roaring fury, the caged monster that cannot swallow me up.”
As to the sea itself, love it you cannot. Why should you? I will never believe again the sea was ever loved by anyone whose life was married to it. It is the creation of omnipotence, which is not of humankind and understandable, and so the springs of its behavior are hidden.
—H.M. Tomlinson, 1912Lapham’sDaily
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