While on his American speaking tour in 1882, Oscar Wilde visited Leadville, Colorado, where he went into a saloon. There was a piano player in the corner with a sign over him that said: DON’T SHOOT THE PIANIST; HE’S DOING THE BEST HE CAN. It was, observed Wilde, “the only rational method of art criticism I have ever come across.” He also visited a nearby mine where, upon reaching the bottom, the miners implored him to stay for supper: “the first course being whiskey, the second whiskey, and the third whiskey.”

In An Inquiry into the Effects of Ardent Spirits upon the Human Body and Mind, published in 1785, physician and Founding Father Benjamin Rush wrote that drunkenness, an “odious disease (for by that name it should be called),” appeared with, among other symptoms, “unusual garrulity…unusual silence…a disposition to quarrel…uncommon good humor and an insipid simpering or laugh…disclosure of their own or other people’s secrets…a rude disposition to tell those persons in company whom they know, their faults…certain extravagant acts which indicate a temporary fit of madness.”