The Spell, by William Fettes Douglas, 1864. © National Gallery of Scotland, Edinburgh, Scotland, The Bridgeman Art Library.
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Miscellany
In 1936, as part of the Federal Theater Project, Orson Welles at the age of twenty staged a version of Macbeth with an all-black cast, substituting voodoo for witchcraft and changing the setting from Scotland to Haiti. Reflecting on his interest in film in an interview in 1958, Welles said, “I liked cinema before I began to do it. Now I can’t stop myself from hearing the clappers at the beginning of each shot; the magic is destroyed.”
There is nothing that man fears more than the touch of the unknown. He wants to see what is reaching toward him and to be able to recognize or at least classify it. Man always tends to avoid physical contact with anything strange.
—Elias Canetti, 1960
