The Spell, by William Fettes Douglas, 1864. © National Gallery of Scotland, Edinburgh, Scotland, The Bridgeman Art Library.
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Miscellany
In 1936, as part of the Federal Theater Project, Orson Welles at the age of twenty staged a version of Macbeth with an all-black cast, substituting voodoo for witchcraft and changing the setting from Scotland to Haiti. Reflecting on his interest in film in an interview in 1958, Welles said, “I liked cinema before I began to do it. Now I can’t stop myself from hearing the clappers at the beginning of each shot; the magic is destroyed.”
The Mughal’s nature is such that they demand miracles, but if a miracle were to be performed by some upright follower of our religion, they would say that it had been brought about by magic and sorcery. They would strike him down with spears or would stone him to death.
—Fr. Antonio Monserrate, 1590
