The Spell, by William Fettes Douglas, 1864. © National Gallery of Scotland, Edinburgh, Scotland, The Bridgeman Art Library.
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Miscellany
On April 2, 1877, at London’s Royal Aquarium, a fourteen-year-old girl with the stage name Zazel became the first female to perform the human-cannonball trick in public. She later worked for P. T. Barnum, who, in response to the “Dangerous Performances Bill” under consideration by British Parliament, wrote defensively to the New York Times in 1880 that he paid Zazel $250 a day—“I should never have invested this large sum in any feature, however attractive, had I not known it was placed beyond the chance of accident.”
In the society of men, the truth resides now less in what things are than in what they are not. Our social realities are so ugly if seen in the light of exiled truth, and beauty is almost no longer possible if it is not a lie.
—R.D. Laing, 1967







