black and white pencil drawing of Moliere in an ornate frame

Molière

Don Juan,

 c. 1665

All beautiful women have a right to our love, and the accident of being the first comer shouldn’t rob others of a fair share in our hearts. As for me, beauty delights me wherever I find it and I freely surrender myself to its charms. No matter how far I’m committed—the fact that I am in love with one person shall never make me unjust to the others. I keep an eye for the merits of all of them and render each one the homage, pay each one the tribute that nature enjoins. Come what may, I cannot refuse love to what I find lovable, and so, when a beautiful face is asking for love, if I had ten thousand hearts I would freely bestow every one of them. After all, there is something inexpressibly charming in falling in love and, surely, the whole pleasure lies in the fact that love isn’t lasting. How delightful, how entrancing it is to lay siege with a hundred attentions to a young woman’s heart; to see, day by day, how one makes slight advances; to pit one’s exaltation, one’s sighs, and one’s tears against the modest reluctance of a heart unwilling to yield; to surmount, step by step, all the little barriers by which she resists; to overcome her proud scruples and bring her at last to consent. But once one succeeds, what else remains? What more can one wish for? All that delights one in passion is over and one can only sink into a tame and slumbrous affection—until a new love comes along to awaken desire and offer the charm of new conquests. There is no pleasure to compare with the conquest of beauty, and my ambition is that of all the great conquerors who could never find it in them to set bounds to their ambitions, but must go on forever from conquest to conquest.

black and white pencil drawing of Moliere in an ornate frame

Albert Camus

The Myth of Sisyphus,

 1942

If it were sufficient to love, things would be too easy. The more one loves, the stronger the absurd grows. It is not through lack of love that Don Juan goes from woman to woman. It is ridiculous to represent him as a mystic in quest of total love. But it is indeed because he loves them with the same passion and each time with his whole self that he must repeat his gift and his profound quest. Whence each woman hopes to give him what no one has ever given him. Each time they are utterly wrong and merely manage to make him feel the need of that repetition. “At last,” exclaims one of them, “I have given you love.” Can we be surprised that Don Juan laughs at this? “At last? No,” he says, “but once more.” Why should it be essential to love rarely in order to love much?

It is quite false to try to see in Don Juan a man brought up on Ecclesiastes. For nothing is vanity to him except the hope of another life. He proves this because he gambles that other life against heaven itself. Longing for desire killed by satisfaction, that commonplace of the impotent man, does not belong to him. What comes after death is futile, and what a long succession of days for whoever knows how to be alive! Faust craved worldly goods; the poor man had only to stretch out his hand. It already amounted to selling his soul when he was unable to gladden it. As for satiety, Don Juan insists upon it, on the contrary. If he leaves a woman it is not absolutely because he has ceased to desire her. A beautiful woman is always desirable. But he desires another, and no, this is not the same thing.

Related Reads