Anguish, by August Friedrich Albrecht Schenck, c. 1878. National Gallery of Victoria, Melbourne.
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In 1872, railroad magnate and racehorse owner Leland Stanford hired Eadweard Muybridge, then famous for his photographs of Yosemite Valley, to capture evidence on film that at a certain point in a horse’s trot, all four of its legs were simultaneously off the ground. Five years later, Muybridge developed a camera with a shutter speed of 2/1000 of a second, fast enough to prove Stanford correct. Muybridge went on a lecture tour with a device of his own design, the zoopraxiscope, which, through the rapid projection of photographic images, created the illusion of continuous movement.
Man and animals are really the conduit of food, the sepulcher of animals, and resting place of the dead, one causing the death of the other, making themselves the covering for the corruption of other dead bodies.
—Leonardo da Vinci, c. 1500




