In 1999 an Inuit organization complained that representatives from Donna Karan International had come to the Canadian Arctic and paid between $10,000 and $15,000 for handmade Inuit clothing. “They went to the bar up in Yellowknife,” the group told the Ottawa Citizen, “and people just sold them their clothes.” Items purchased later appeared in Donna Karan’s Madison Avenue store.

When Amelia Earhart became the first woman to fly across the Atlantic as a passenger in June 1928, the New York Sun ran an article with the headline MISS EARHARD SPURNS FASHIONS: SHE CARES LITTLE ABOUT CLOTHES, DOES NOT USE LIPSTICK—LIKES TO FENCE AND DRIVE CAR. “Flying is a perfectly natural thing in her opinion,” it read, “and requires no special togs: a dress is as good air equipment as trousers.”

Julius Caesar was criticized for his loosely belted toga. “Beware the badly belted boy,” said Sulla; Cicero sneered at Caesar’s habit of “trailing the fringe of the toga on the ground like an effeminate.” His political rival Cato the Younger made a point of wearing a short toga with no tunic underneath, as was considered masculine. But a decade later it was common for young Roman men to grow goatees, wear flowing togas, and use “loosely belted” as a catchphrase.

In 1993 Estelle Ellis, Seventeen magazine’s first promotion director, gave a speech at the Fashion Institute of Technology titled “What Is Fashion?” Ellis gave her answer. Fashion is a perpetual-motion machine expressed in four areas: “mode—the way we dress; manners—the way we express ourselves; mores—the way we live; and markets—the way we are defined demographically and psychologically.”