In 1999 an Inuit organization complained that representatives from Donna Karan International had come to the Canadian Arctic and paid between $10,000 and $15,000 for handmade Inuit clothing. “They went to the bar up in Yellowknife,” the group told the Ottawa Citizen, “and people just sold them their clothes.” Items purchased later appeared in Donna Karan’s Madison Avenue store.

A Spanish gallant in the sixteenth century who followed the contemporary fashion of padding his trunk-hose with quantities of bran was surprised to learn while entertaining ladies that a nail on his chair had opened a hole in his hose, and bran had started trickling out. The ladies laughed. He continued, encouraged, but bran soon was pouring forth. The ladies’ laughter increased. Finally, the gallant noticed the bran, bowed, and left in shame.

In 1993 Estelle Ellis, Seventeen magazine’s first promotion director, gave a speech at the Fashion Institute of Technology titled “What Is Fashion?” Ellis gave her answer. Fashion is a perpetual-motion machine expressed in four areas: “mode—the way we dress; manners—the way we express ourselves; mores—the way we live; and markets—the way we are defined demographically and psychologically.”

Southern women during the Civil War chewed on newspapers, believing an ingredient in the ink whitened their faces.