In The Third Man, Orson Welles’ character Harry Lime says, “In Italy for thirty years under the Borgias, they had warfare, terror, murder, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland, they had brotherly love, they had five hundred years of democracy and peace, and what did that produce? The cuckoo clock.” Graham Greene, who co-wrote the script with director Carol Reed, said that it was “the best line of the film”—and that Welles wrote it. Welles recalled, “When the picture came out, the Swiss very nicely pointed out to me that they’ve never made any cuckoo clocks—they all come from the Schwarzwald in Bavaria!”
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A Theravada story is told about an early incarnation of the Buddha who, at one month old, watches his father, the king, sentencing criminals to death and corporal punishments. He suddenly remembers a past life in which he, too, condemned men to death, then suffered 80,000 years in hell as karmic comeuppance. He decides to avoid inheriting the throne by pretending to be deaf, dumb, and immobile.
After serving as longtime copyeditor for The New Yorker, Wolcott Gibbs in the 1930s moved on to write drama criticism for the magazine and sent editor Harold Ross a document entitled “Theory and Practice of Editing New Yorker Articles.” Among his notes were: “1. Writers always use too damn many adverbs”; “20. The more ‘as a matter of facts,’ ‘howevers,’ ‘for instances,’ etc., etc., you can cut out, the nearer you are to the Kingdom of Heaven”; and lastly, “31. Try to preserve an author’s style if he is an author and has a style.”
In 2009 a twenty-four-year-old policewoman in Long Branch, New Jersey, responded to complaints about an “eccentric-looking old man” peering into a house. She asked the man his name. “I’m Bob Dylan,” he said. “I’m on tour.” Taking him for a liar, she put him in the back of her car and drove him to his hotel, where others confirmed he really was the musician. “I think he named a couple of songs,” she later recalled. “But I wouldn’t have known any of the songs.”
Some four hundred years after the death of Lucretius, Saint Jerome wrote the only existing biography of the philosopher, in two sentences, suggesting that Lucretius “was rendered insane by a love potion” and killed himself. In 1868 Alfred, Lord Tennyson wrote in “Lucretius” that the philosopher’s wife “dreaming some rival, sought and found a witch / Who brewed the philter which had power, they said, / To lead an errant passion home again. / And this, at times, she mingled with his drink, / And this destroyed him.”
Walter Kirke, British deputy head of military intelligence in France, noted in his diary in October 1915 that the chief (“C”) of the Secret Intelligence Service had come upon a solution for how to send secret messages: “Heard from C that the best invisible ink is semen,” Kirke wrote. The substance, it turned out, was hard to detect by the common revealing method of iodine vapor. The chief’s name: Mansfield Cumming.
Home to an estimated eight hundred languages, the New York City borough of Queens has been called the “Noah’s ark of languages” by linguist Daniel Kaufman, an expert in endangered tongues. Most of the world’s last remaining speakers of Gottscheerish, a critically endangered Germanic dialect, live in the neighborhood of Ridgewood, while Vlashki, a dialect of Istro-Romanian, is believed to be more commonly spoken in Astoria than in Europe.
Ornithologists have found that hormones strongly determine aggression between sibling seabirds. Blue-footed boobies rarely attack a nest mate, while among Nazca boobies—born with androgen levels three times higher—the elder of two hatchlings unconditionally attacks and kills the younger one shortly after birth.
“Have you eaten a body scab to gain health, or have you drunk a solution of those little worms called lice, or drunk human urine, or eaten any feces to gain health?” asks Burchard of Worms’ collection of canon law, compiled around 1008. “If you have, you should do penance for ten days on bread and water.”
Overworked and suffering from chest and stomach conditions, Emperor Marcus Aurelius took a prescription from his physician, Galen, for opium. According to Galen, the emperor did not like that the drug made him drowsy, so he stopped taking it. Then he found himself unable to sleep, so he started taking it again.
Edith Wharton’s childhood German tutor, Anna Bahlmann, also taught her English and American literature; Norse, Greek, and Roman mythology; and history, art, and architecture. In 1878 Wharton called Bahlmann her “supreme critic” in a letter. Bahlmann is mentioned only four times in Wharton’s memoir and only once by name. One scholar suggested that Wharton’s “conviction about her intellectual and artistic isolation…compelled her to deny her closeness to her teacher.”
“We don’t like their sound,” an executive at Decca Records said in 1962, rejecting The Beatles, adding, “and guitar music is on the way out.” The same year, Marshall McLuhan wrote, “The book is dead. That is to say sometime before the end of the present century, the last printed book will roll off the presses.”
Roman physician Galen recounted a debate from which a medical rival “departed in a big hurry, knowing, I imagine, that if he remained he would be proved wrong.” Galen then wrote a book to be delivered to the rival’s followers. “You walked away,” it reads, “behaving like an athletic competitor who seizes the crown and flees before the contest; but today you will not escape refutation, for this book will follow you.”
When asked why he didn’t use intelligence agents, Alp Arslan, sultan of the Seljuq Empire in the 1060s, replied that his favored subjects would trust the spies, while his opponents would curry favor and bribe them; he’d end up hearing damaging reports about his friends and positive ones about his enemies. “Reports good and bad are like arrows,” Arslan said. “If you shoot enough of them, at least one will hit the target.”
“Woe to you, my princess, when I come. I will kiss you quite red and feed you till you are plump. And if you are forward you shall see who is the stronger, a gentle little girl who doesn’t eat enough or a big wild man who has cocaine in his body,” wrote Sigmund Freud to his future wife, Martha Bernays, on June 2, 1884. On February 2, 1886, toward the end of another letter to Bernays, Freud wrote, “Here I am, making silly confessions to you, my sweet darling, and really without any reason whatever unless it is the cocaine that makes me talk so much.” The two married later that year.