Six Tuscan Poets, by Giorgio Vasari, 1544. Minneapolis Institute of Arts, Minnesota.
VIEW:
Miscellany
After serving as longtime copyeditor for The New Yorker, Wolcott Gibbs in the 1930s moved on to write drama criticism for the magazine and sent editor Harold Ross a document entitled “Theory and Practice of Editing New Yorker Articles.” Among his notes were: “1. Writers always use too damn many adverbs”; “20. The more ‘as a matter of facts,’ ‘howevers,’ ‘for instances,’ etc., etc., you can cut out, the nearer you are to the Kingdom of Heaven”; and lastly, “31. Try to preserve an author’s style if he is an author and has a style.”
Making a film means, first of all, to tell a story. That story can be an improbable one, but it should never be banal. It must be dramatic and human. What is drama, after all, but life with the dull bits cut out?
—Alfred Hitchcock, 1962






