Design for a Machine, French, eighteenth century. The Metropolitan Museum of Art, Elisha Whittelsey Collection, Elisha Whittelsey Fund, 1962.
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Miscellany
Euripidean drama requires “the sudden jolt of the machine” to clarify the characters’ “peculiar sense of the political,” writes classicist John Snyder. “The deus ex machina breaks in because that is what history does…outside forces, irrational, nonhuman in origin and agency, yet utterly human at the same time, make people do what they do.”
What can you conceive more silly and extravagant than to suppose a man racking his brains and studying night and day how to fly?
—William Law, 1728







