Guests at a Banquet, tempera facsimile by Nina de Garis Davies after a fourteenth-century-BC Egyptian frieze, c. 1920.

Guests at a Banquet, tempera facsimile by Nina de Garis Davies after a fourteenth-century-bc Egyptian frieze, c. 1920. The Metropolitan Museum of Art, Rogers Fund, 1930.

Friendship

Volume XIV, Number 2 | spring 2021

Miscellany

In a letter from Deir el-Medina, an Egyptian village of artisans working on pharaonic tombs during the period of the New Kingdom, Nakhtsobk, the self-described “scribe of the necropolis,” complains to Amennakhte, a workman, about being neglected. “It is only to me that you don’t send anything whatsoever, really this is a rotten day,” Nakhtsobk writes. “What offense have I done against you? Aren’t I your old eating companion?” In another letter from the same village, the sender, possibly Nakhtsobk, writes dejectedly, “It is I who write to you continually, but you never write to me.”

One’s friends are divided into two classes, those one knows because one must and those one knows because one mustn’t.

—Sybil Taylor, 1922