Miscellany
“Memory,” wrote the novelist Jean Paul in 1816, “is the only paradise out of which we cannot be driven away.” Critical theorist Theodor Adorno disagreed with his assertion. “Memories cannot be conserved in drawers and pigeonholes,” he wrote in response. “Precisely where they become controllable and objectified, where the subject believes himself entirely sure of them, memories fade like delicate wallpapers in bright sunlight.”
Miscellany
Twenty-two-year-old critic Richard Goldstein savaged the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band in a New York Times review when the album was released in 1967, calling it “busy, hip, and cluttered.” He later admitted the stereo he’d heard it on had a busted left speaker, but he remained unapologetic: “What can I say? If you’re not embarrassed by your youth, what good are you?”
Miscellany
Opening night of Henry James’ Guy Domville, on January 5, 1895, was “an unmitigated disaster,” James wrote in a letter, “hooted at, as I was hooted at myself, by a brutal mob, and fruitless of any of the consequences for which I have striven.” The play’s reception, he wrote, “has completely sickened me with the theater and made me feel, at any rate for the present, like washing my hands of it forever.”
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