
Anguish, by August Friedrich Albrecht Schenck, c. 1878. National Gallery of Victoria, Melbourne.
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Miscellany
In 1610, in the harbor of St. John’s, Newfoundland, Richard Whitbourne saw a “strange creature” that was “beautiful” and had “blue streaks resembling hair” and a “hinder part” that pointed “like a broad-hooked arrow.” When it attempted to climb into his boat, one of his men “struck it full blow on the head, whereby it fell off from them.” He supposed that it was a mermaid. Two years earlier, while aboard a ship near Norway, Henry Hudson reported that “one of our company, looking overboard, saw a mermaid,” as her “back and breasts were like a woman’s,” “her skin very white,” and her tail “like the tail of a porpoise, and speckled like mackerel.”
Man and animals are really the conduit of food, the sepulcher of animals, and resting place of the dead, one causing the death of the other, making themselves the covering for the corruption of other dead bodies.
—Leonardo da Vinci, c. 1500