Shortly before Ezra Pound was indicted for treason for his anti-American broadcasts on Benito Mussolini’s Radio Rome, Ernest Hemingway wrote to poet Archibald MacLeish, “If Ezra has any sense he should shoot himself. Personally I think he should have shot himself somewhere along after the twelfth canto, although maybe earlier.”
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In Guerrilla Warfare, Che Guevara suggested that a well-prepared revolutionary should carry the following items: rifle, ammunition, food, plate, knife, fork, canteen, antibiotics, paper, a compass, nylon cloth, soap, toothbrush, toothpaste, a pair of pants, a book (“biographies of past heroes, histories, or economic geographies”), a machete, a small bottle of gasoline, kindling, matches, needles, thread, and buttons.
Legend regarding the horseshoe as a lucky symbol holds that in the tenth century, while St. Dunstan was working in England as a farrier, the devil entered the forge and demanded his hooves be reshod. During the process, the future saint caused as much pain as he could, and the devil begged him to stop. Dunstan agreed—on the condition that Satan never enter a house where a horseshoe is on display.
Animal cognition researcher Irene Pepperberg wrote in her study of the African gray parrot Alex that the intelligent bird often became restless when asked to focus on a single task: “He will cease to work, begin to preen, or interrupt with many successive requests.” In 1996 Alex appeared on the television show Turning Point to demonstrate that he could name the colors, shapes, sizes, and materials of different objects. In the middle of this exercise, he began to respond to Pepperberg’s questions with remarks like “Want to go back” and “Want to go eat dinner.”
“There is one thing at which I cannot sufficiently wonder,” wrote Pliny the Elder, “that of some trees, the very memory has perished, and even the names recorded by authors have passed out of knowledge.”
“Pompeii like any other town,” Herman Melville wrote in his journal during an 1867 visit. “Same old humanity. All the same whether one be dead or alive. Pompeii comfortable sermon. Like Pompeii better than Paris.”
Describing phalanx warfare, Thucydides wrote that “fear makes every man want to do his best to find protection for his unarmed side in the shield of the man next to him on the right.” The soldier farthest right must try to “keep his own unarmed side away from the enemy, and his fear spreads to the others who follow his example.” The effect of this fear, wrote the historian: “the right wing tends to get unduly extended.”
At Super Bowl XXXV in Tampa police used cameras and biometric face-recognition software to survey fans. The system identified nineteen subjects of outstanding warrants, far more than anticipated. None were arrested. “We thought we were ready to use it,” said a detective.
A Babylonian medical handbook dating to 1700 bc offers a renal diagnostic that reads, “If his urine is like ass urine, that man suffers from ‘discharge.’ ” Other alarming symptoms of discharge: if his urine is “like beer dregs,” “like wine dregs,” or “like clear paint.”
During his first trip to New York City in 1964, Samuel Beckett went to a doubleheader at Shea Stadium with his friend Dick Seaver, who explained the game of baseball to the Irish writer. Halfway through the second game, Seaver asked, “Would you like to go now?” To which Beckett replied, “Is the game over, then?” “Not yet,” said Seaver. Beckett concluded, “We don’t want to go then before it’s finished.” The Mets won both games, unlike their double loss two months earlier in what had been the longest doubleheader in Major League history, clocking in at nine hours and fifty-two minutes.
The medieval Occitan troubadour known as the Monk of Montaudon was a master of the enueg, “song of annoyance.” “I can’t stand a long wait,” he complains in one composition, written around 1200, “Or a priest who lies and perjures himself / Or an old whore who is past it, / And—by Saint Delmas—I don’t like / A base man who enjoys too much comfort.” The song goes on in this fashion for nine more verses.
As a member of a Cherokee delegation to Washington, DC, Sam Houston wore traditional loincloth and blanket to an 1818 meeting with Secretary of War John C. Calhoun, who was offended and chastised Houston for his dress. Twenty-two years later, between terms as president of the Republic of Texas, Houston wore such a blanket to meet Jean Pierre Isidore Alphonse Dubois, comte de Saligny, in Austin.
During the 1679 plague of Vienna, a drunken balladeer named Marx Augustin passed out in a gutter. Gravediggers, mistaking him for dead, carried him beyond the city walls and threw him and his bagpipes into a pit filled with the bodies of plague victims. Upon waking the next day, Augustin was unable to get out of the mass grave. He played his bagpipes and was eventually rescued. “Ach, du Lieber Augustin,” a defiant song of loss based on his misadventure, remains a favorite in Vienna today. In 1908 composer Arnold Schoenberg quoted the folk song in the second movement of his String Quartet no. 2 in F-sharp Minor, op. 10.
Michel de Montaigne’s father believed “it disorders the tender brains of children to awake them by surprise in the morning, and suddenly and violently to snatch them from sleep”; he preferred to rouse his son from slumber “by the sound of some instrument of music,” likely an early form of harpsichord called an epinette. Montaigne recalled later that he “was never without a musician for that purpose.”
According to a study published in the American Sociological Review, from 1985 to 2004 the mean number of “close confidants” (people with whom one can discuss important matters) Americans had dropped by nearly a third, from 2.94 to 2.08 people. Similarly, the number of those who said they could not discuss important matters with anyone more than doubled, to nearly 25 percent. “The general image,” the researchers wrote, “is one of an already densely connected, close, homogeneous set of ties slowly closing in on itself.”