“He whose meat in this world do I eat,” reads the Hindu Laws of Manu, “will in the other world me eat.” Another verse simply warns not to “behave like the flesh-eating ghouls.”
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A cuneiform tablet dating to around 1950 bc describes residents of the Assyrian merchant colony of Kanesh, situated in what is now central Turkey, resolving conflicts by majority vote. This early example of a protodemocratic decision-making process is a sharp contrast with the consensus-based systems more commonly found in primitive societies, where “the restoration of social harmony is the primary goal,” notes Assyriologist Mogens Trolle Larsen. “This was clearly not a realistic aim for the Old Assyrian merchant society.”
While on his American lecture tour in 1882, Oscar Wilde drank elderberry wine with Walt Whitman; saw Niagara Falls, later noting, “Every American bride is taken there, and the sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life”; read aloud passages from Benvenuto Cellini’s autobiography to miners in Colorado; and witnessed a lynching in Louisiana.
A Japanese shogun in 1615 attempted to eradicate the popular fashions of the kabuki-mono, young men from the fringes of samurai communities who favored long hair with shaved foreheads and temples, large swords with showy red scabbards, imported velvet collars, and short kimonos with lead weights sewn into the hem. “Clothing should not be confusing,” stated a new samurai dress code.
A young nobleman in ancient Athens fell in love with a statue of Agathe Tyche, goddess of good fortune. He hugged and kissed it, then offered the local council a large sum of money to purchase it. When his request was denied, he decorated the statue extravagantly with crowns and garlands, offered a sacrifice, uttered a lengthy lamentation, and killed himself.
The oldest known tattoos belong to Ötzi, a 5,300-year-old mummified corpse who suffered from heart and Lyme disease, colonic whipworms, gallbladder stones, missing ribs, and arthritic joints. His sixty-one tattoos are patches of small charcoal incisions; their proximity to acupuncture points has led researchers to believe they were created for curative purposes.
As a youth, the writer V.S. Naipaul struggled with hysteria. He described watching the film The African Queen while at Oxford: “Just when Bogart said something to Katharine Hepburn about sleeping one off or something, I could take it no longer and left the cinema. What form did it take? One was terrified of human beings. One didn’t wish to show oneself to them.” Naipaul claimed he cured himself over a two-year period. “Intellect and will,” he said, “intellect and will.”
A CIA report declassified in 2000 revealed concerns about extrasensory perception during the space race in the 1960s: a Russian newspaper argued that cosmonauts “get together mentally with each other easier than with people on Earth,” while a Chicago Tribune columnist worried that the Soviets “may be the first to put a human thought in orbit or achieve mind-to-mind communication with men on the moon.”
Titus Andronicus is William Shakespeare’s bloodiest play; the body count reaches fourteen. Rounding out the top-three deadliest plays are Richard III (eleven) and King Lear (ten).
A seventh-century Chinese treatise declares after “careful investigation” that “there are but thirty main positions for consummating the sexual union.” These include Bamboos Near the Altar, Reversed Flying Ducks, Phoenix Holding Its Chicken, Cat and Mouse in One Hole, and Donkeys in the Third Moon of Spring. “The understanding reader,” it concludes, will “probe their wonderful meaning to its very depth.”
After thousands of dockworkers went on strike in the Los Angeles area in 1923 and the Industrial Workers of the World called on workers in other industries to strike in solidarity, the police announced a ban on public meetings. Upton Sinclair organized a rally in response, saying, “We’re testing the right of the police to suppress free speech and assemblage.” As soon as he took the platform, a police captain threatened, “I’m taking you in if you utter a word.” Sinclair began reciting the First Amendment and, according to a longshoreman who was present, the captain promptly “grabbed the people’s novelist by the collar” and arrested him.
Charles d’Éon de Beaumont went to Russia in 1755 as a secret correspondent of French king Louis XV. Disguised as a woman, he obtained an appointment as reader to a Romanov empress; he returned for a mission the next year dressed as a man. By the 1770s speculation about his gender reached such fervor that odds were quoted by London brokers. An 1810 postmortem finally confirmed that he was anatomically male; Marie Cole, his companion of fourteen years, reportedly “did not recover from the shock for many hours.”
Georges Cuvier, founder of the field of paleontology, wrote in 1812 that examination of the strata of the earth revealed “traces of revolutions.” He surmised, “Innumerable living beings have been the victims of these catastrophes; some have been destroyed by sudden inundations, others have been laid dry in consequence of the bottom of the seas being instantaneously elevated. Their races have become extinct and have left no memorial of them, except some small fragment which the naturalist can scarcely recognize.”
Austrian-born philosopher Ludwig Wittgenstein observed in 1947, “A typical American film, naive and silly, can—for all its silliness and even by means of it—be instructive. A fatuous, self-conscious English film can teach one nothing. I have often learned a lesson from a silly American film.”
Born on Lesbos around 700 BC, Terpander, a master of the kithara, was summoned to Sparta during a period of civil strife—an oracle had suggested bringing the “Lesbian singer” to help—and organized the city-state’s earliest civic music culture. Immensely popular there, he later returned for what was to be his last performance. While he was playing, a fig thrown by an adoring fan went directly into his mouth. Terpander choked on the fruit and died.