Ahead of a visit from Hannah Arendt in 1971, Mary McCarthy purchased anchovy paste, which she knew Arendt enjoyed. When McCarthy pointed out where to find it in her cupboard, Arendt looked displeased. “She had a respect for privacy, separateness,” McCarthy later wrote. “I knew I had done something wrong in my efforts to please. She did not wish to be known, in that curiously finite and, as it were, reductive way. And I had done it to show her I knew her—a sign of love, though not always—thereby proving that in the last analysis I did not know her at all.”
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“If people would think more of fairies, they would soon forget the atom bomb,” Walt Disney quipped in 1948. President Dwight D. Eisenhower agreed: public fear of the atom bomb was growing, and in 1953 he assured Americans in his “Atoms for Peace” speech that war was not imminent and that nuclear technology had enormous potential for peacetime activity as well. Eisenhower then recruited Disney to produce a television program promoting the “peaceful atom.” In 1957, “Our Friend the Atom” aired on ABC, featuring animated cartoons and narration by Heinz Haber, a scientist who had worked in Nazi Germany and later became a technical consultant for Disney’s Tomorrowland theme park.
A 2013 study involving American college students found that participants were more likely to deem a face more attractive if it was presented amid a group of faces than if it was displayed alone. This “cheerleader effect,” scientists ventured, was “due to the averaging out of unattractive idiosyncrasies.” Two years later a similar study conducted with Japanese participants failed to replicate the results of the initial study.
Although the Oxford English Dictionary lists the etymology of “hooligan” as unascertained, one of the three speculations is that it derives from a popular music-hall song of the 1890s about a rowdy Irish family that went by that last name.
Philadelphia chemist Robert Cornelius took what is widely believed to be the first “selfie,” in the back of his family shop, by removing the camera lens cap, running into the frame, and then replacing the lens cap. On the back of the photograph he wrote, “The first light picture ever taken. 1839.” Three-quarters of a century later, Russia’s grand duchess Anastasiya Nikolayevna took a series of self-portraits, steadying herself on the back of a chair. “I took this picture of myself looking in the mirror,” she wrote in 1914, four years before her execution. “It was very hard, as my hands were trembling.”
A group of scientists in Madrid in 2012 found that children inherit a fear of the dentist more from fathers than from mothers.
About the first spy film, made in 1898, almost nothing is known besides its name, Execution of the Spanish Spy. Made two years later, Execution of a Spy was a twenty-seven-foot reel showing a firing squad executing a spy in a military prison. In The Female Spy, from 1906, a woman is tied to a horse by her hair and dragged behind it.
For the treatment of “delirium and mania combined with shameless behavior,” ninth-century Persian polymath al-Razi offered a remedy by medical theorist Simʿun: “Bathe the patient’s head with a decoction of elecampane and sheep’s trotters, pour milk over him, put dung upon him, make him snuff sweet violet oil and breast milk, and feed him anything that is cold, fatty, and fills and moistens the brain.”
The inhabitants of Eyam, Derbyshire, initiated a quarantine to control a Black Death outbreak in 1665—for fourteen months, no one was allowed into or out of the town. Only a quarter of the citizens survived. One local farmer, Elizabeth Hancock, was forced to bury her husband, along with six of her seven children, over an eight-day period in August 1666.
A Byzantine general of “ignoble descent” oversaw the building of Petra, on the Colchian coast, and set up an import monopoly. “They are robbing us of all our gold as well as of the necessities of life, using the fair name of trade,” locals complained, according to Procopius. “There has been set over us as ruler a huckster who has made our destitution a kind of business.”
A fourteenth-century Egyptian encyclopedia includes a recipe to “tighten the vagina.” One should grind “the scorched skin of a jackal, the scorched hooves of a goat, the scorched hoof of a donkey, scorched thorn apple, a scorched sea crab, scorched polypody, and Persian thyme,” then administer as a suppository. “The woman,” promises the compiler, “becomes like a virgin.”
“Have reserved two tickets for my first night. Come and bring a friend, if you have one,” wired George Bernard Shaw to Winston Churchill, referring to Pygmalion’s premiere. “Impossible to come to first night. Will come to second night, if you have one,” Churchill wired back.
The critic Vladimir Stassov recalled that when the composers Nikolai Rimsky-Korsakov and Modest Mussorgsky “were still young men living together in one room…The piano could be heard, and the singing would start, and with great excitement and bustle they would show me what they had composed the previous day, or the day before or the day before that—how wonderful it was."
Egyptian pop singer Sherine Abdel-Wahab was sentenced to six months in prison in 2018 for insulting the Nile. Asked by a fan to perform her hit song “Have You Drunk from the Nile?,” Abdel-Wahab responded, “You are better off drinking Evian,” informing the fan that the waters of the Nile can lead to schistosomiasis, a disease also known as snail fever, which has plagued Egypt for so long that strains have been found in excavated pharaonic-era mummies.
In The Master and Margarita, Mikhail Bulgakov fictionalized the well-known New Testament scene in which the Roman procurator Pontius Pilate offers the Jewish people the choice to save either the rebel Barabbas or Jesus Christ from execution. Bulgakov’s Yeshua declares that “all power is violence over people” and that “a time will come when there will be no power of the Caesars.” Pilate is deeply moved by the prisoner’s “mad utopian talk” and finds “no grounds for indictment”; when the crowd chooses to free Barabbas, Pilate feels “incomprehensible anguish” and an escalating migraine at being forced to sentence Yeshua to death.