In 1923 Jewish composer Arnold Schoenberg declined painter Wassily Kandinsky’s offer to join the Bauhaus, having heard that other members of the school were anti-Semitic. “For I have at last learned the lesson that has been forced upon me during this year,” Schoenberg wrote to Kandinsky, “and I shall not ever forget it. It is that I am not a German, not a European, indeed perhaps scarcely a human being (at least, the Europeans prefer the worst of their race to me), but I am a Jew.”
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In 1919 a steel storage tank burst in Boston and spilled 2.3 million gallons of molasses, creating a twenty-five-foot-high wave that killed twenty-one people and tore buildings from foundations. The tank had leaked since its installation, but the company had, in response to complaints, merely painted it a concealing brown.
“Aristotle thought earthquakes were caused by winds trapped in subterranean caves,” wrote Anne Carson in her 2019 play Norma Jeane Baker of Troy. “We’re more scientific now, we know it’s just five guys fracking the fuck out of the world while it’s still legal.”
Twenty-two-year-old critic Richard Goldstein savaged the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band in a New York Times review when the album was released in 1967, calling it “busy, hip, and cluttered.” He later admitted the stereo he’d heard it on had a busted left speaker, but he remained unapologetic: “What can I say? If you’re not embarrassed by your youth, what good are you?”
“When Simonides or someone offered to teach him the art of memory,” Cicero noted in his De Finibus, the Athenian politician Themistocles “replied that he would prefer the art of forgetting. ‘For I remember,’ said he, ‘even things I do not wish to remember, but I cannot forget things I wish to forget.’ ”
“A horrid-looking wretch he is, sooty and scoundrelly in aspect, a cross between the nutmeg dealer, the horse swapper, and the night man,” declared a Stephen Douglas–leaning newspaper of Abraham Lincoln during the presidential race of 1860.
According to his official North Korean biography, Kim Jong Il initiated “an epochal change in the history of the modern opera” by introducing an offstage song called a pangchang—an innovation, claims the bio, “greater than the discovery of the heliocentric theory by Nicolaus Copernicus or the discovery of the New World by Christopher Columbus.”
During the fifth century, the body of a ten-year-old child was buried in the Umbrian town of Lugnano with a rock inside its mouth. The practice was part of a folk custom intended to prevent corpses from turning into vampires and infecting the living with malaria. “I’ve never seen anything like it,” said the lead archaeologist who uncovered the skeleton in 2018.
During the eighteenth and nineteenth centuries, most of the Katanga region in what is today the Democratic Republic of Congo was dominated by Luba kings. A powerful secret society known as the mbudye (men of memory) created handheld wooden objects called lukasa (long hand, or claw) as mnemonic aids to maintain oral narratives about fundamental aspects of Luba culture.
On Halloween 1981, a Los Angeles punk band called Fear was the musical guest on Saturday Night Live. Comedian John Belushi, who had invited Fear to play, brought in punks to watch the performance. Chaos ensued; SNL’s stage manager was hit in the chest with a pumpkin. “The real audience at Saturday Night Live was scared to death,” Fear’s lead singer later said. The band was banned from appearing again.
In 1851 an Episcopal rector wondered why Nathaniel Hawthorne had selected the theme of adultery for his 1850 novel. “Is it, in short, because a running undertide of filth has become as requisite to a romance as death in the fifth act to a tragedy?” wrote the cleric. “We honestly believe that The Scarlet Letter has already done not a little to degrade our literature and to encourage social licentiousness.”
In his eponymous saga, Icelandic outlaw Grettir swims through icy waters to a friend’s farm. That night, while he sleeps on a bench inside the longhouse, his clothes fall off. He wakes the next morning to a servant woman laughing at him. “He’s out of proportion,” she says. “He’s big but small between the legs.” This episode, according to a scholar of saga-era Icelandic life, “illustrates the openness of the life in the hall.”
Lorenzo de’ Medici once observed a young sculptor complete the head of an old and wrinkled faun whose mouth he had rendered open. While astonished at the craftsmanship, Lorenzo pointed out that old men never have all their teeth. Once the great patron of the arts had left, the artist knocked out one of the teeth; when Lorenzo returned and saw the statue again, he was so taken with the new version that he decided to adopt the artist, whose name was Michelangelo.
Thomas Jefferson never wrote or said, “I’m a great believer in luck. The harder I work the more I seem to have.” The quip was crafted by San Francisco humorist Coleman Cox for a 1922 collection titled Listen to This.
Washington Post fashion critic Robin Givhan reported on a pink blazer and black V-neck shirt worn on the Senate floor in 2007. “There was cleavage on display Wednesday afternoon on C-SPAN2,” Givhan wrote. “It belonged to Senator Hillary Clinton.”